Drama Review 'Entertainers' Episode 18 (final)

Drama Review 'Entertainers' Episode 18 (final)

The boys of Entertainer Band scraped and clawed their way from the ground to the top, beyondhindrances of evil feminine idols, ambitious CEOs, slimy managers, and reformed souls. If you aretrying to find an underdog tale amongsta marginally of romance, a forged OST, some adorable guys in a band, and a friendship-related family, then"Entertainers"is for you.

The drama won't exist the maximum cohesive in its applyvia of the large issues, yet information technology knows how to convey emotional punches. CastingJi Seongto lift the drama and flesh out reformed Seok-ho supposed that regardless of how short or long an emotional beat, it used to be fraught with emotion, and quite a bit of times, moving tears. And boy, were there numerous tears. If nothing, this drama made the warring consciences and egos of our characters lead to oceans of tears. It were given to be too much, especially when all villains but one finally finish up reformed on account of Seok-ho's new walk in life. This fault is exacerbated by the truththat just abouteach and everyunmarried villain went by way of parallel trials, sessions of regret and hesitation, and change. Relating to the band members, their storylines followed an specificfacet of personality and did not deviate: Jae-hoon is a happy-go-lucky drummer, but student at heart. Kyle is a firecracker, toppower young guy driven by impulse. Yeon-soo is all tenderness and bleeding hearts. The characters did no longer deviate. Same holds true for Green, an individual who got so little buildingthat i amdisappointed forHyericoming off this sort of poignant role as Deok-seon in "Answer Me 1988".

Romance turned into a susceptible signal in the drama. As I stated in the beginning, romance is nota need in a drama like this and it'll be greater had the drama no longer force fed the audience that romance. The just one that gave the impressionherbalin the slightest degree was the only between Yeon-soo and Min-joo. He fell for a beautiful, capable lady who treated his son well. Green and Seok-ho were awkward. Ha-neul's one-sided overwhelm was more a automobile for his expansion that some extent of romance. And what was that pity romance that the production team threw at Ha-neul in the old couple of minutes? It made no sense.

And then there has been the king of Korean drama tropes, the time skip. His majesty reared his royal head close tothe beginning of the episode and washed away a year of romantic development, band development, and left the remainder of the hour as a area for fluffy goodness: Jae-hoon following his dreams, Green following hers, the band soaring on most sensible of the Hallyu wave. It was sweet, but necessarily fluffy filler. Thank you, extension. It allowed for bow-tied endings in regards to each single facet character, that have been highly unnecessary.

What I enjoyed most about"Entertainers"at the start was that it tackled some intense social issues: sexual attackfees in idoldom and the media, adoption, suicide, betrayal. Unfortunately, thosehave become more plot point than authentic explorations of such ideas. They all are at all times pertinent.

With all of that said, did I revel in this show? Yes, I did. Would I counsel it? As a one time light-hearted watch, yes. As a repeat watch its flaws would change into glaringly obvious. But give me these boys goofing off and gamblingtune any day. They are so adorable.

#drama #review #entertainers #episode #18 #final

Drama Review 'Entertainers' Episode 17

Drama Review 'Entertainers' Episode 17

The penultimate episode of"Entertainers"rounded out a chronicwar of Seok-ho's, targetedat theomitted romances, and printeda couple of juicy morsels about the lads of Entertainer Band. Like the remainder of the drama, this episode trudged along at a leisurely speed that highlighted the loss ofsubject material left to fill the 2 episode extension.

Guilt is a heavy and pervasive emotion that weighed down Seok-ho and, in its incongruous way, spurred him to do correctby capability of his band. His alternate in habitused to be spurred on by his 20/20 hindsight vision of the havoc he wreaked on the lives of his idols, the folks he manipulated, and the singer/songwriter he stole from. Guilt chased him forward, made him do right by Entertainer Band. Yes, he is a worrying guy, yet the guilt at all times niggled in the back of his mind. In this episode it drove his want for self-punishment. He sought afterto soothe his guilt by going to prison for stealing the dead singer/songwriter's song. But the circle of relativeswould not let him and he had to triumph overthe onesfeelings himself. We did not get to peer the solutionof these emotions up to we were given to see the band crush him with love and acceptance. The aftermath of the guilt has still now not played out.

Jinu also let guilt weigh on him, as did the entire wrongdoers in this drama. He got hereblank a 2nd time and it turned into exceedingly dull. Each person comes around in the very same fashion! They are confused by their consciences to do the proper thing. Then they do the right thing and thank Seok-ho for converting their life. It is a bit like a caricature alongside a fantasy ending.

Romance is some othermainaspect of the episode and it gave the impression forced. Yeon-soo and Min-joo have an enchantment that hasn't been fanned very much all over the show's run. Min-joo cries over a crush she slightly expressed. Seok-ho and Green still do not makea lot more than make mooney eyes at each and every other. The romance most effective has one episode left to actually blossom, or be left in the sooner stages at the feet of the larger picture: the formation of the band family. There has been a trace that Seok-ho may defer to Ha-neul's emotions for Green, which would be incredibly backhanded of the writer.

The remaining episode comes out tomorrow, and the cave in of KTOP is nigh. It is CEO is drowning in the repercussions of his bad choices and a standoff between he and Seok-ho is for sure in our future. The romance it will most likely be the focus, on the opposite hand information technology turns out.

#drama #review #entertainers #episode #17

Drama Review 'Entertainers' Episode 16

Drama Review 'Entertainers' Episode 16

entertainers(Photo : hancinema) "Entertainers" has fallen into a predictable pattern: the fallen will redeem themselves aside from for CEO Joon-seok, and no longer even this is set in stone. Characters don't appear to bearisingup to reacting to events. Tears are the key staple of emotional provocation. Whilst the scenarios the characters in finding themselves in are moving, and Ji Seong is great, it isbeginning to get dull. And I am worried the ultimate two episodes can be one large cheeseball romantic fest, or have a conveniente-book a roughsprint of excitement to stay audiences guessing.

Like Seok-ho, Joo-han, and Jinu earlier than him, Joon-ha, the singer who stole Ha-neul's older brother's song, is forced to reckon with his beyond and make the proper decision. In spite of the CEO making an attempt to convince him to stay in silence, Joon-ha is moved via Seok-ho's and Ha-neul's pleas and comes to a decision to come clean. Like the opposite confessed souls at the show, Joon-ha's enjoyed ones beef upthe verdict without a fight. While or not it's sweet, the parallels in all the redeemed characters on the display are wearisome.

Just a logistical question: how did they make a full-body hologram of Ha-neul's older brother if the sole recorded edition of the song was once a part bodied front shot? How become he having a look and smiling at Ha-neul? It was a touching scene, yet logistics at a loss for words me.

And what about the romance? Did Ha-neul omit his feelings? Did Seok-ho? Typically such emotionshave an effect oneachinterplay alongsidean individual and we best see it when the creator intends to turn romance. With so little buildingin this front, I unless a zippy solution to the loss of a kiss, to the inability of a couple status, and grudging acceptance on Ha-neul's part. I mightfeel free if nobodywere given together, but such isn'tthe style of dramaland.

#drama #review #entertainers #episode #16

Drama Review 'The Just right Wife' Episode 5

Drama Review 'The Just right Wife' Episode 5

"The Excellent Wife"smacks us with a large twist in episode five, which adjustmentsa actually perfect deal about what we've got known so far. It individually worries me concerning the future, yetmost likelyit is going to existan excellent thing. The felony event this time comes to Hye-kyeong's beyond social circle and with Tae-joon home, it just brings more unhappy memories to the surface. Meanwhile, Joong-won steps up his game and faces Tae-joon.

This is one enormous elephant in the room, so let us deal with it. Tae-joon (Yoo Ji-tae) is a coward who had his wife lift his crime. I had in the past assumed that his entitlement and controlling habit stems from a feeling of being owed anything for his heroism, but he manages to be even worse. In retrospect, I must have expected this, but Hye-kyeong (Jeon Do-yeon) as a culprit used to be an attractive concept. Which is why this twist worries me, so undergo alongside me here.

AdvertisementLet us omit close to the twist for a moment. The court case of this episode supplies USA a glimpse into how Hye-kyeong lived and how she turned intodeserted after her husband's scandal. It presentations United States of Americaa girl who is truthful and kind, but also unaware of the hypocrisy of others. This would provide an explanation for why she can not see Tae-joon for who he is. Seeing her fight between happiness and awkwardness with him houseback is wonderfully done. My fearis thisfocal pointwould possibly change.

Until now Hye-kyeong has been somebody who could give a 2dprobability to her once liked savior and lover. It was a captivatingbattle and the selection was somewhat hard. This twist turns her into a victim who has time and againapproved betrayal. It changes her from an individual in regulate to someone who is being willfully manipulated. This isn't a bad change. Seeing her upward thrust from her self-victimization would be an empowering story. I just ponder whetherthis is whyat the back of it.

This episode has Joong-won (Yoon Kye-sang) face Tae-joon and get started an unofficial war for Hye-kyeong. One guy is someone who forces his biased remedy on Hye-kyeong to meet his crush, which ended at the day of the accident. The opposite is a traitor who has no thought of the have an effect on his movements have on his family. My worry is that Hye-kyeong may need been become a victim for the sake of a twisted love triangle.

Everything is dependent on the creators' intentions. The autotwist of fate twist will also be a fine addition to the tale of a lady who reclaims the lifestyles she sacrificed for romanceno longer reciprocated. I sincerely hope that my be troubled volitionend upfoolishvia the end. I am hoping that the affection Dramaland has for male vitality games and scandalous romances will now not overtake the keycharm of"The Sensible Wife".

"The Nice Wife"is directed byLee Jeong-hyo, written byHan Sang-woonand featuresJeon Do-yeon,Yoo Ji-tae,Yoon Kye-sangandKim Seo-hyeong.

#drama #review #the #good #wife #episode #5

Drama Review 'Wanted' Episode 9

Drama Review 'Wanted' Episode 9

Crisis hits the"Wanted"production when Ha Dong-min's legal professional and a member in their own workforce are abductedvia copycat criminals from the program's fan club. Episode nine takes a step back from Hyeon-woo's case to observethe results of the kind offact show, yet the kidnapper's habitthroughout this scenario acts as an extra clue in the investigation for their identity. The time to determine Ha Dong-min and Kim Woo-jin's connection to all of this approaches.

Bo-yeon's (Hyosung) kidnapping and the next halting of all show-related activities serve as a just right marker of the drama's midpoint. Except its phase in the major plot, which I may bein a position to go to in a bit, this crisis lets in the author to in shorttake onthe truth show's societal influence. I in finding the episode's use of its 3 fan club criminals very insightful, as it subverts the uneducated stereotype of a troubled adolescence automatically being a deranged crook in the making.

Advertisement A massive number of the darkness in this global hides in ordinary, well-adjusted adults and making an attemptto disclaim this frightful reality by othering criminals is most effectiveadverse to our society. In spite of the wise handling of this actual part, the impression of media is an issue too advancedfor a fast peek and hence the episode's manner feels lacking. The similar applies to the sensationalistic presentation of youngsters reenacting the show. The subject is oversimplified and there isn't any mention of parenting or society's role.

Coming back to the major story, Bo-yeon's case throws Hyeon-woo's (Park Min-soo) true kidnapper off and this finds that they aren't willing to sacrifice an blamelessuser and imaginable acquaintance. Detective Park Yeong-sik (Ji Hyeon-joon) suspects Dong-wook (Eom Tae-woong) and given we still have no ideathe rest approximately his beyond with Hye-in (Kim Ah-joong), he's a possibility. Yeong-gwan's (Sin Jae-ha) menacing reaction to the copycat criminals could also be suspicious to me, because a member of the police also is a possibility.

I prior to now expressed interest about one of the mostreputedly unrelated undertaking subjects. I thought Ha Dong-min's (Son Jong-hak) element ended when he failed to disclose Hye-in's secret, but his newly printed lawyer friend and perhaps he himself are immediatelyhooked up to the murders. ActorSong Yeong-gyooenters the series as a new character, but his feature voice betrays him as the only Jo Nam-cheol (Park Sang-wuk) spoke to at thetelephone before being arrested.

Now that this connection is made, I sit up for the revelation of Kim Woo-jin's (Jeong Wook-I) role in this, because he is obviouslynow not a random abusive husband. I'm hoping nosotros get to understand Dong-wook more now, but I wonder about the fate of the actuality show. If I will also be greedy, I also hope Hye-in will evolve as her morality helps to keep being challenged.

"Wanted"is directed byPark Yong-soon, written byHan Ji-wan-Iand featuresKim Ah-joong,Ji Hyeon-woo,Eom Tae-woongandPark Hae-joon.

#drama #review #wanted #episode #9

Drama Review 'W' Episode 2

Drama Review 'W' Episode 2

It would seem that on best of her other characteristics Yeon-joo could also be a drama critic. Pass figure. Well, is fairlynearlyeach and every real-life persona in"W"has some form ofrobust opinion about how fictional reportswill have to proceed. And Seong-moo, in conventionalnotedwriter fashion, arrogantly dismisses any perceptionthat there is a "correct" way to write a story. He needs to kill Cheol and by way of golly, he is going to prevailregardless of how manifestly contrived the procedure is.

Seong-moo is the large mystery in"W". Note how he is constantly very apparently blasas to the revelation that his webtoon has one way or the other been drawing itself, and is more aggravated at Yeon-joo's interfering with his tale than he'sshocked that she has this it sounds as if supernatural vitality at all. Seong-moo's curmudgeonly attitude in total is weirdly charming. It isinfrequentto peer fictional authors be presented as such jerks, most commonlyfor the explanation that real-life authors who write those stories try and make those thatproportion their careerappear sympathetic.

As for Yeon-joo, she remains totally bewildered. I love how Yeon-joo helps to keeplooking to think in story common sense in Cheol's internationaleven supposing these are all genuineother folks who she can see and feel. Yeon-joo is having fairlyslightly of issue explaining who she is or why she knows the things that she does. It used to bea reasonablygreat touch how we see that Cheol's world is explicitly primarily based off of the genuine one. Or at least, the portions of it Seong-moo sees on a normal basis.

Advertisement...Or does he? WriterSong Jae-jeongmakes some extent of giving us more questions than answers, and a largea section of the drama's "whaaat?" thing is that the few answers we get just result inan expanding number of elaborate questions. Given Seong-moo's godlike force over the webtoon, it does no longer lookas though Cheol can submit any kind of credible combatopposed to him. Yet come the cliffhanger, this isprecisely what Cheol has done, via a remaining line that is even more ominous than it looks.

Consider, for example, the more than onetechniques Cheol's ideataskmay also be interpreted. Is he regarding Yeon-joo? Seong-moo? The fictitious killer? The fictional audience? The real-life audience? The real-life production team? Cheol is for sure suspicious about his state of affairs in lifestyles in ways that go beyond the datawe mightbe expecting him to have as the protagonist of an insignificant genre thriller. How much he actually suspects is, as of yet, unknown.

#drama #review #w #episode #2

Drama Review 'Uncontrollably Fond' Episode 5

Drama Review 'Uncontrollably Fond' Episode 5

The somber note that sounded all overfinal week's episodes of"Uncontrollably Fond"was little noticed in episode 5. Simplest alongside Ji-tae, secret chaebol and Daddy Longlegs extraordinaire, did the angst verge momentarily above the surface. What rose to the skin nosotros the re-kindled pastime between Joon-yeong and No Eul and the heavy luggage of dating in the limelight.

What struck me maximum about the episode used to be how standard Joon-yeong seemed and how difficult he worked to deal with that guise. He is goingvia his day as even thoughsickness did now not lurk menacingly waiting to pitch him into throes of painful agony and drag him closer to death. Nobody yet knows of his disease and treats him as they in most cases would, which is a section ofthe explanation he helps to keep it secret. That secret keeping is costing him a courting with his very cussed and nasty mother. She has became on him because his guilt reason him to turn his back on turning into a prosecutor. I doubt she'd behave in the similar fashion if she knew he walked the trail to death's door. The relationship between this mom and son pair is wearying. Her stubbornness is uncalled for.

AdvertisementJi-tae's mother turned intoapparentlylight and unaware. This episode her moodsupplies away the reality that she knows more than she we could on. Yet what? I guesswe will see. The shattered glassware that she flung from the coffee table has to intend something. Circle of relatives is advanced every bit it will have to exist in a melodrama of the Korean variety. No Eul and her brother No Jik are close and mutually concern for every Other. In some way No Jik is more mature than his sister, caution her opposed to falling for Joon-yeong when spending time with the popular, handsome, wealthy star. We see them fuss, and also act adorably againsteach one other, which is what I used to be waiting for. Either one ofthe ones behaviors suggesta robusthousehold unit. In contrast, Ji-tae and his obsessive sister Ha-ru love every other, but are notrelatively as friendly or open.

A few bones thrown to the audience were more shirtlessKim Woo-binand a longerfunctionality of his singing. His baritone voice is rathergreat and full. Along side those we get a massive number of push and pull between the key couple, light misunderstandings between a trio of primary leads, and a long term that promises a lot more than mild misunderstanding.

#drama #review #uncontrollably #fond #episode #5

Drama Review 'W' Episode 1

Drama Review 'W' Episode 1

Cheol (played byLee Jong-suk) is an Olympic point marksman who is framed for a terrible crime, wallowing away in depressionsooner thanafter allturning intomade up our minds to discoverthe actual perpetrator. Cheol may be a fictional persona in a webtoon by potential of Seong-moo (played byKim Ee-seong), who also is the father of Yeon-joo (played byHan Hyo-joo), an ineptphysician who juggles clinicaleveryday jobs amongst an active social role every bit the daughter of a noted webtoon artist. Subjects have a turn for the unusual when Yeon-joo is left by myself with a manuscript that looks to clumsily kill Cheol off.

On one end"W"is a perilous straight-faced high-concept wrongly accused guy storyline. There isn't anygenuine sense of self-parody in the scenes that take position in Cheol's world. It ispreciselythe similarroughly plot that may feature in either a daylight hours revenge melodrama or a high-concept adult comedian book. Incidentally, till watching"W"I had now notspotted how much the ones two genres shared in common, taking into consideration how they are aimed at two totallyother audiences.

That form of irony is the maximum important humor that pervades"W". Yeon-joo is totally bewildered by the turn of occasions and just type of stands within sight with a dumb incredulous glance on her face. When Yeon-joo is forced to solve a medical emergency the usage of a trope this iscommonplace in fiction yet glaringly ridiculous to a real-life doctor, she resists excepteventuallysimplest reluctantly following the genre convention.

AdvertisementCheol's reaction to having an individual from the"Real"world input his own proves to be similarly telling- or not it'snearlyspiritual in tone, and for just right reason. From Cheol's perspective, Seong-moo is God. From our standpoint Seong-moo is also the individualanswerable for Cheol's horrible position in existence because he isthe user who murdered Cheol's family...by writing a tale about it. And if the appearance on Seong-moo's face when drawing the decisive panel is any indication, Seong-moo is set out of patience with Cheol too.

If not anything else, the plot is for sure madcap and innovative. As of yet I will not tell whether the tale in"W"is genius or simply creativity disguised as genius. Yet if nothing else, it certainly looks cool. Take a glance at the midnight cinematography, the pitter-patter of tough rain, or the seamless transitions between are living action scene and webtoon comic panels. DirectorJeong Dae-yoonhas indeed made the primary episode look fashionable enough-let's see if he can stay IT up.

#drama #review #w #episode #1

Drama Review 'Bring It On, Ghost' Episode 4

Drama Review 'Bring It On, Ghost' Episode 4

So apparently...ghosts can wear dresses? I would now not have any large logical issues of this, it is just that of the entire questions "Bring It On, Ghost" might be answering at this time "can ghosts wear dresses" in realitymoves me as the maximumbeside the point one. Similar tothe former episode, this episode is onlyany other restatement of the similar plot issues that ruledthe primary two. Bong-pal and Hyeon-ji have anatagonistic fun, Myeong-cheol isn'tan excessivelyjust right monk, Cheon-sang and In-rang are more than one dopes, and we still do not knowwhat is going on alongside Hye-seong.

Really. WriterLee Dae-il-Iis still going on about that stupid cat issue, which is some other very dulltale bespeakto listen on in a drama that isintended to be about struggling with ghosts. I will not figure out what is going on with the pacing. It appears likeevery new episode of "Bring It On, Ghost" is justan alternativeedition of the 1st one for the explanation that production team did notwould like toutterly throw out their old drafts.

Let's take Cheon-sang and In-rang. Up to nowthey arethe simplest real ones who werein a position to, on the alternative hand ineffectually, discover ghosts. Bong-pal and Hyeon-ji are wrapped up in their own little worlds and only ever slightly glaze over the backstories of the enemy ghosts ahead ofentering fights. Here's workable when the hostile ghosts are one-off jokes like the peeping tom schoolgirl crossdresser, or plain archetypes like the domestic abuser. Yet this episode and the final acceptattempted to do precise pathos with its ghosts, to limited effect.

Advertisement"Cheo Yong: The magical Detective"managed to drag this off a lot more effectively, because in that drama the lead personality and his allies were creating a proactive effort to locate ghosts, so the talespread outeven more organically. "Bring It On, Ghost" is the usage ofthe elementallayout of facing one-off ghosts without really working out how that logo of storytelling is meant to work. The result's colorful characters, yet not much else.

"Bring It On, Ghost" is beginning to wear out my patience. I amstarting toquery whether this drama used to be alwaysif truth be toldnicely storyboarded, or whether the pacing really is solely that bad. Without correct variation and flow in context the largest jokes in the sector get stale awfully quickly, and "Bring It On, Ghost" had lovely low forehead humor to get started out with. I would just really like to look more willpower to holistic storytelling and no more to particular person gags.

#drama #review #bring #it #on #ghost #episode #4

Drama Review 'Doctors'Episode 10

Drama Review 'Doctors'Episode 10

Flashbacks sprinkled during this episode remind us of the tough trials and tribulations Hye-jeong and Ji-hong wernt thru back in the day that encouraged them to get directly to the scientificprofession path. I in finding the inclusion of those flashbacks puzzling, since all they do is job my memory that at one time"Doctors"was about folks exceeding their own expectancies to do just right in the sectorin position of act all surly. And now the taleis simply a love triangle.

Not even a compelling love triangle at that. Each person down to the unnamed nurses knows completesmartly that Yoon-do has totally0probability amongst Hye-jeong, and that it is only his overall cuteness that prevents his pursuant habit from being explictly creepy. I could beready to admit, regardless that onerecognize that he had the heart to in truth go an particular rejection. There were most effective blatant hints, after all, that for sure Hye-jeong's middle lies with Ji-hong.

It does not really, most commonly because Hye-jeong is cynical for some reason. That issome othergenuine irksome point for me. It is been over ten years and yes, it's farterrible what came about to Hye-jeong's grandmother, yet has she in point of fact just been reliving that one painful moment this whole time? Hye-jeong only in the close to pastbegan to paintings at this hospital- used to belifestyles at her oldsanatoriumdepressingsufficientthat each and every one Hye-jeong becamecurious about was getting the qualification to come to this one and investigate what happened to her grandmother?

AdvertisementThese are the flashbacks and personality backstories I trulywould like to see. To date"Doctors"has been practicallyutterlychuffed with just giving us naked bones archetypes and looking ahead to U.S. to root for the characters only for the sake of self-identification. Once back I can see the attraction of this. Ji-hong and Yoon-do are either such nice, in general encouraging men that or not it's hard to actually dislike either one of them all that much.

Be that as it may, there still will not bethe rest more or less them that's all that interesting, and the similarmay also bestated for the remainder of"Doctors". The political disputes and the rather light medical emergencies the drama assists in keepingbobbing up with remain incredibly dull. There isn't any sense of dramatic stakes, and no crisis. Admittedly, in a purely romantic tv show, it isn't necessarily all that bad for the tale to be comforting instead of exciting and dynamic. But as the flashbacks stay reminding me, at one point"Doctors"was capable of juggle some of these balls rather skillfully, so I do not know why presently it's only placing any effort into keeping the romance moving.

#drama #review #doctorsepisode #10