In a somewhat perplexing plot twist, right after the recap of the one night stand, there's a three year time skip and all of a sudden Jin-wook and Yoo-mi seem like completely different characters. Far from being the playboy we last saw, Jin-wook is now taking his corporate responsibilities very seriously. Yoo-mi has picked herself emotionally and shows remarkable dexterity as a cafeteria chef. About the only commonality they have is their shared wistfulness about meeting that one special person from three years ago.
Drama Review Lucky Romance Episode 16 Final176 Articles
We've made it to the final episode of "Strong Woman Do Bong-soon" and what an eventful journey it has been. From silly gangsters, to doppelgangers, to evil kidnappers, to the strong woman herself, this drama has fit in a little of just about everything. Let's talk about the finale and send off this drama with happy hearts.
Jang-hyeon is jailed to his fury. The process of getting him to jail was anticlimactic, but it pales in comparison to the happenings of Bong-soon's new life. Now she is in a happy relationship and has decided to use her strength for good. She goes out of her way to help and begins to suffer the side effects of heroism: problems in regular life. These problems are not addressed in the slightest. Instead, they're left to be addressed by the characters after the show has ended. How does Bong-soon deal with work and hero-ing? How does Min-hyeok deal with his twin baby super hero girls? How does society deal with the mysterious help that it's been receiving? All of that is left open-ended, which isn't bad. What we do know is that Bong-soon's family and Min-hyeok support her, her powers, her work in society, and her happiness.
So even though we saw Yoo-mi fantasizing about meeting Jin-wook by chance again last episode, this time, Yoo-mi is doing everything she can to avoid the reality of the situation. Which makes sense. Let's recall that, three years ago, Jin-wook was kind of a jerk, and that they were both just a tad drunk. So it's easy to empathize with Yoo-mi viewing Jin-wook's dictatorial demands here as being part and parcel of a mean personality rather than an overbearing effort on his part to be cute.
And indeed, it would be a little remiss for us to completely ignore the power imbalance here. Jin-wook is Yoo-mi's boss, and his attempt to jump start a relationship with her here is textbook sexual harassment. For all that, it's hard to hate Jin-wook that much when we can see from his perspective that Yoo-mi was his one moment of genuine empathy. Unless we count the cat, who sadly does not feature here. I was kind of hoping the cat would be a regular character.
It turns out Yoo-mi has one impressive quality that Jin-wook is unlikely to find anywhere else. She's good at apologizing. The irony, of course, is that Yoo-mi hasn't done anything wrong in regards to Jin-wook or his relationships. All the same, at the slightest indication that she has made either Jin-wook or Hye-ri uncomfortable, Yoo-mi demurs. And of course, Jin-wook is left in an even worse mood than usual as a result.
I like the difficult position Jin-wook has been put in. His personality is naturally abrasive and he does stuff all the time that would actually justify a person demanding an apology out of him. So Yoo-mi's ability to be so incredibly passive that it makes Jin-wook feel ridiculous is a good thing. She can make Jin-wook slow down for a minute and appreciate life, or at least the fact that other people are in it and trying to make a positive go of the experience just like he is.
The ending to "Saimdang: Light's Diary" is more anticlimactic than anything else. The bad guys are almost immediately brought to justice because one essential character changes sides, and CCTV footage which should have been exposed, I don't know, a dozen episodes ago suddenly pops up out of nowhere and decisively proves that Jeong-hak was a fink all along. Meanwhile, in the past, King Jungjong is sad because it has suddenly occurred to him that persecuting artists is bad.
As for Saimdang, in a bizare twist, the production teams allows her to be angelic and forgiving toward Won-soo's adultery while still allowing her spectral form to cavort with Lee Gyum in dream world Italy. Incidentaly, it would seem that the Italians took Ji-yoon's discovery of a famous Korean artist who was active in the Renaissance a great deal more seriously than the Koreans did. The castle where all this got stated has now been fabulously restored.