Drama Review 'Oh Hae-Young Again' Episode 18 Final

Drama Review 'Oh Hae-Young Again' Episode 18 Final

I were given the distinct impact for lots of thefinal episode of"Oh Hae-Young Again"that writerPark Hae-young(yes, this is her genuine name) never actually had a plan for completing any of the drama's storylines. She just had thoseactuallyfantastic characters, and the appealing hook of the mysterious visions, and figured the remainder would come naturally. Well, two additional episodes and a longer finale were not enough. The finishing of"Oh Hae-Young Again"is sloppy, bobbing up with new conflicts whilstbest clumsily resolving the old ones.

For these type ofevidentserious failures, though, I still can not actually get mad at"Oh Hae-Young Again"because if any drama has ever emphasized your entire "journey in position of the destination" philosophy,"Oh Hae-Young Again"is it. Because Hae-young and Do-kyeong have never really had their eyes at thefinish point. The majorstruggleused to benow not the content of the visions, yet rather Do-kyeong coming to realizethat there is little point in being concerned also much about the future.

All the storylines have incorporated this theme somehow- some greater than others. Jin-sang still does no longerseem to have any concept how to deliberately come directly to Soo-kyeong barring a crisis situation, and their courting has lovely much changed intoan enduring compromise that they are going totry and figure anything out that doesn't involve Soo-kyeong moving out of the country or Jin-sang drinking himself to death out of private shame. It is funny staring at them try, but mostly, it be only relieving knowing that they are willing to stay trying.

Advertisement The opposite relationships are a tad more perplexing. Ji-an never really did anything else of relevance excluding exist a awful mother, and Anna never moved beyond being Hoon's frightfully exuberant more youthful girlfriend. Hae-young's parents...well, they were quitestraight forwardfolksto start with, actually. Of route Deok-yi is cussed and prideful, because her daughter is a similar way. It is a generational cycle, after all.

And that is where"Oh Hae-Young Again"leaves off emotionally. Existence will pass on, answers will fall into place, you'llat all timesanticipate the toughen of enjoyed ones...all the onesgreatintellectual reassurances that truly make"Oh Hae-Young Again"a large drama even after a verytricky day. Although the narrative does not tie up very well, that flaw too works well in context of the drama's larger messaging. It is allappropriate to reduce to rubble and glancesillyso long asevery person is having a great time and mutual compassion isn't an issue. I amAdequate with that.

#drama #review #oh #hae #young #again #episode #18 #final

Drama Review 'Mirror of the Witch' Episode 20 Final

Drama Review 'Mirror of the Witch' Episode 20 Final

With Hong-joo most commonly out of the way,"Mirror of the Witch"is ready to continue without a villain. Which is to say, as a substitute of having to combat an intractable conspiracy, Jun and Yeon-hee just solve complications and make desires come true. Here is immensely more gratifying than the skulduggery that has labeledsuch a lot of the drama's plot till this point. In context it isn'ttransparent whether any of the potions are in truth magical at all- it is more about the habit they provoke.

Which naturally results in the final candle and...you know, if Hong-joo had just led with that restriction rather thanarising amongstadvanced plans to do things her way via force, she most certainly would werea load more successful. Given the most often repentant nature of her personality here, actually, I used to be (and still am) wondering whether Hong-joo herself lit the candle. Certain she's been a little bit of a jerk, yet her ultimate moments are almost poetic, albeit undeserved. Hong-joo will have benefitted so much from a more ambiguous portrayal.

Jun and Yeon-hee thankfullywouldn't have that much. Their happiness this episode is well-deserved, sweet, and on the whole heartfelt. This is the romantic chemistry that may also be used to convincingly spark offa whole drama series, and I amunhappy less by the plot arc of the general episode as I'm by the reality that"Mirror of the Witch"did no longer brandjust right use of its runtime to delve into the Jun/Yeon-hee relationship. We bestwere givenshort glimpses like this in between unnecessarily confusing plot twists.

AdvertisementAnd the very last one, after the 2nd one time skip, is the maximum baffling of all. When I'm left asking questions like "so are they dead or did they solve that hassle with magic or is a metaphor what is going on exactly" that isa beautifulsmartsignal that a drama is prioritizing warm fuzzy emotions over striking effort into an finishing that really makes sense. How may a drama so passionate about explaining all its most minor plot issues fail at anything then basic?

Well,"Mirror of the Witch"has mostly just been a long term of failure punctuated by brief robust performances earlier than they get smothered by the following turnabout. So I betfinallyor not it'snow notthat gigantic a wonder for the drama to finish on a an identical note, providing piffling more than a sad reminder of what may need been if only the talemay have been more well condensed. Ah well. It will accept been worse.

#drama #review #mirror #of #the #witch #episode #20 #final

Drama Review 'Lucky Romance' Episode 16 Final

Drama Review 'Lucky Romance' Episode 16 Final

Initially the plot for the overall episode centers around a scheme to take a glance at out and get Bonnie and Soo-ho back together. Ultimately it turns out that this scheme used to bea whole waste of time without a payoff as Bonnie and Soo-ho meet in their own special way. The reunion is if fact exist toldmoderatelycandy and heartfelt. It does a excellentactivity integrating all of thevery bestportions of"Lucky Romance"to bring an superbremaining message about love. Yet none of this adjustmentsthe reality that the whole first part of the episode turned intoa total waste of time.

It's a gorgeous effective metaphor for the overall quality of"Lucky Romance". Whilsthalf of of it's far decent romantic comedy, the opposite half is simplyunnecessary subplots that never move anywhere. Each and every new episode ended in the introduction of a minimum of one new subplot, and the old ones were only ever solved haphazardly. Even main plotlines were very hit and miss. Bonnie offers up on superstition, for example, but the only real explanation introduced is an excessivelyindistinct "power of love".

AdvertisementWhat makes this especially frustrating is that there has beennumerous potentially applicablesubject matter that just went underdeveloped. Imagine the thematic importance of Bonnie's oldsters being dead, I still cannot figure out why"Lucky Romance"was so minimalist in exploring Soo-ho and Geon-woo's circle of relatives relations. Geon-woo were given all of one scene with his father, and Soo-ho's folks spent more time soaring about a birth secret that never materialized than they did with their son.

The leisure of the solid was just more physically provide than they were helpful every bit characters in their own right. Bo-ra is the maximum productive case of this- she's quite literally the physical embodiment of all Bonnie's motivation, yet the last episode is the primary fourth dimension we see the young lady in ample context to get an evenseize of her personality. We do most commonlyto find out what took place to each personbasically because Soo-ho helpfully brings they allin combination in the similar room.

That's what they are there for after all- as bullet issues in Bonnie and Soo-ho's own life, instead ofother folks amongst internally consistent motivation. While this is not a dealbreaker on its own, the time spent seeking tobuilding upthose subplots instead ofcare for Bonnie and Soo-ho's dating as the principlecenter of attention makes too much of the finishing unsatisfying."Lucky Romance"ends, at best, as very well average- a virtually perfectly even distribution between sensible and bad, worthy neither of seriouscompliment nor over the top scorn. It just is.

#drama #review #lucky #romance #episode #16 #final

Drama Review 'Oh Hae-Young Again' Episode 17

Drama Review 'Oh Hae-Young Again' Episode 17

While"Oh Hae-Young Again"continues to most commonly exist filler, at this point it isstrangely comforting filler. I lovestaring at Do-kyeong and Hae-young be happy.Eric MoonandSeo Hyeon-jinhave in realityjust rightadorable chemistry. I am prepared on how Hae-young is many of the things that Do-kyeong is not, that she is loud and proud while he's quiet and loyal. Do-kyeong engages in an act of specific heroism this episode and does not even troubleto paste around and take credit.

Which leads me to the keypersona arc that is been simple to put from your mind about- Tae-jin. Whilstthe opposite Hae-young has been explainedthrough inherently fraudulent private relationships, Tae-jin has been defined by inherently fraudulent pro relationships. Here isin truthtruly bad- like, even worse than it sounds, because Tae-jin has been ended inconsider that Do-kyeong is the bogeyman who ruined his life. In factit is theother people Tae-jin has idea he may justhave faith that betrayed him, and encouraged Tae-jin to think otherwise.

From this mild even Tae-jin's possessive habitrelating to Hae-young is moderately sympathetic, because she used to bethe most effective realconsumer he may have talked to about this. Key note there being "was". Taking into consideration how attentive Hae-young is concerning Do-kyeong's complications here, I believeor not it'ssecureto mention that Hae-young would possiblysmartlyhad beenin a position to rescue Tae-jin too if only he had learned relationships were a two-way street. It is not merely that he protects her. She has to be offeringcoverage to him, too.

Advertisement Somewhere else the Soo-kyeong/Jin-sang storyline winds down in a much more clichd type than I used to be expecting. I mightbitchaside from that your entire elevator collection is so funny it's not easyto hope for it now not to have happened. The plotline also manages the impressive feat of giving Hoon anythinghelpful to do. And of course, there is Jin-sang's heartfelt sadness about the vacancy of the birthday celebrationlifestyles now that he can not hang out with his absolute bestbuddiesat the off nights.

Those are the genuine common, most sensible core values that define"Oh Hae-Young Again"- friendship and total compassion, even in terms of the little stuff like scenes between co-workers where they express authenticownpastime and enjoyment regarding each and every other's happiness. In comparison to that, I have never really been all that invested in Do-kyeong's visions and I am still on no accountcertain on a logical point what they are even intended to be. Yet they paintings on the metaphorical level, and this is the reasonwhat is more vital anyway.

#drama #review #oh #hae #young #again #episode #17

Drama Review 'Oh Hae-Young Again' Episode 16

Drama Review 'Oh Hae-Young Again' Episode 16

To my wonderful surprise,"Oh Hae-Young Again"actually does a veryjust rightprocessstrikingat the brakes and going "whoa now, seems like we want more episodes". Rumination is the order of the day, as characters contemplate over whether or now notthey could also beready toactually get a gladfinishingsimply by thinking pleased thoughts. As it turns out Hae-young and Do-kyeong still have numerous wreckage from beyondstudies floating around, and it is going to convey more than a steady push to solve those problems.

The sensible news? Hae-young and Do-kyeong have a genuinely sturdy bond. If one of them has a difficult day, they're able to get reassurance from the other. The other Hae-young has in huge part disappeared as a thing in the taleprincipally because Hae-young and Do-kyeong don't appear to be letting symbolic problemstrouble them anymore. Even making an allowance for that more tangible threats exist, the alternative Hae-young has been one of theseenormous stumbling block for either one of them that this qualifies as a significant accomplishment.

One such danger is Tae-jin, whose eye-for-an-eye mentality is technically no other from Do-kyeong's previous in the drama. Yet Tae-jin is going into vengeance mode with his eyes wide open while Do-kyeong was once blinded by ability of drunken grief. Hae-young's take-down of Tae-jin as a persona is brutal, unreleting, and well-deserved. And in troublesome contrast to her takedowns of Do-kyeong, there is nogenuinego outtrail for Tae-jin with the exception ofto confess that Hae-young is right. There ispriceless little evidence he ever really cared about her.

AdvertisementJi-an also returns, chiefly every bit a unfavourable force opposed to Hae-young and Do-kyeong, but more subtly as a thematic impediment for Soo-kyeong, whose storyline with Jin-sang is legitimately heart-pounding. I suspect information technology bears repeating- her "raise the kid overseas" conceptis actually stupid, and I am going to be disillusioned if there is a timeskip indicating that she did that and it worked. Soo-kyeong's simplesttype for a maternal figure is Ji-an and again and again we see that Ji-an is lovely much the worst conceivableuser for this role.

Yet at the similar time, Soo-kyeong is totallyproper in her overview of Jin-sang's shortcomings. What is more,Kim Ji-seok-Iis very good as a guy who is legitimately terrified of creatingvastlifestyles changes, especially when they involve a lady as intimidating as Soo-kyeong. This makes for a a lot more poignant and realistic non-publicbattleby way offashionable relationships. Even though really, around the board that isat all times been the maximum importantgiant strength of"Oh Hae-Young Again".

#drama #review #oh #hae #young #again #episode #16

Drama Review Oh Hae-Young Again' Episode 15

Drama Review Oh Hae-Young Again' Episode 15

Right away"Oh Hae-Young Again"gets on my excellentfacetby capacity of reminding me just what makes all its characters so charming. There would possibly be Hae-young with her optimism, Hoon and Anna with their exuberance, Soo-kyeong with her garbled French, Jin-sang with his paralyzed indecision, and Do-kyeong with his vitality to wonder the surpriser. I in reality do love the solid in"Oh Hae-Young Again". They all bring authentic charm to their characters, and this works to carry roles that during the hands of a lesser performer would were forgettable.

But one point is a big worry- the pacing. While"Oh Hae-Young Again"has been prolonged to eighteen episodes, I in truth takeproblem seeing how there's even sufficientsubject material left for one. We are given the overallan important piece of context that at the back of Do-kyeong's life-threatening vision, and it is distressing to think that of all Do-kyeong's personality traits, his inability to leave a scenarioby myselfis also what finally ends up getting him killed. He truly merely does no longer stimulate much sense in that department.

Admittedly, if Do-kyeong did have sense in that department, he would perhaps notalso be alongside Hae-young at all right now. Alas their dating is threatened here by a dynamic which does make sense but which in the long run does now notprovoke me. A good romance can handiest exist threatened by such so much ofpointssooner than it descends into self-parody, even supposingI assume this episode does no less thangive an explanation for why Hae-young may not be bothered to make an effortlesstelephone call ultimate episode.

Elsewhere"Oh Hae-Young Again"definitely improves on itself. Soo-kyeong's attitude is a lot more nuanced. We see more of that self-hating depressive bite that provides her personality energy. I suspect Soo-kyeong realizes, on some level, that just giving up on Jin-sang is a bad idea, yet at the similar time she must be realistic with her options. A pregnant girl in her Nineteen Forties really does not ownthe luxurious of being romantic.

Unfortunately the preview providesa sign that this subplot, nearly perfectly described in its large climactic moment where Jin-sang struggles to look if he can whole Soo-kyeong's request, will be stretched out in the additional episodes similar tothe complete lot else is going to have to be. It is all rather disappointing. Such a lot of"Oh Hae-Young Again"is so very funny- Jin-sang's mind's eyecollectionis actually fantastic. Yet without right kind context, it besimple to see how the drama can wear out its welcome fasterinstead of later.

#drama #review #oh #hae #young #again #episode #15

Drama Review 'Entertainers' Episode 18 (final)

Drama Review 'Entertainers' Episode 18 (final)

The boys of Entertainer Band scraped and clawed their way from the ground to the top, beyondhindrances of evil feminine idols, ambitious CEOs, slimy managers, and reformed souls. If you aretrying to find an underdog tale amongsta marginally of romance, a forged OST, some adorable guys in a band, and a friendship-related family, then"Entertainers"is for you.

The drama won't exist the maximum cohesive in its applyvia of the large issues, yet information technology knows how to convey emotional punches. CastingJi Seongto lift the drama and flesh out reformed Seok-ho supposed that regardless of how short or long an emotional beat, it used to be fraught with emotion, and quite a bit of times, moving tears. And boy, were there numerous tears. If nothing, this drama made the warring consciences and egos of our characters lead to oceans of tears. It were given to be too much, especially when all villains but one finally finish up reformed on account of Seok-ho's new walk in life. This fault is exacerbated by the truththat just abouteach and everyunmarried villain went by way of parallel trials, sessions of regret and hesitation, and change. Relating to the band members, their storylines followed an specificfacet of personality and did not deviate: Jae-hoon is a happy-go-lucky drummer, but student at heart. Kyle is a firecracker, toppower young guy driven by impulse. Yeon-soo is all tenderness and bleeding hearts. The characters did no longer deviate. Same holds true for Green, an individual who got so little buildingthat i amdisappointed forHyericoming off this sort of poignant role as Deok-seon in "Answer Me 1988".

Romance turned into a susceptible signal in the drama. As I stated in the beginning, romance is nota need in a drama like this and it'll be greater had the drama no longer force fed the audience that romance. The just one that gave the impressionherbalin the slightest degree was the only between Yeon-soo and Min-joo. He fell for a beautiful, capable lady who treated his son well. Green and Seok-ho were awkward. Ha-neul's one-sided overwhelm was more a automobile for his expansion that some extent of romance. And what was that pity romance that the production team threw at Ha-neul in the old couple of minutes? It made no sense.

And then there has been the king of Korean drama tropes, the time skip. His majesty reared his royal head close tothe beginning of the episode and washed away a year of romantic development, band development, and left the remainder of the hour as a area for fluffy goodness: Jae-hoon following his dreams, Green following hers, the band soaring on most sensible of the Hallyu wave. It was sweet, but necessarily fluffy filler. Thank you, extension. It allowed for bow-tied endings in regards to each single facet character, that have been highly unnecessary.

What I enjoyed most about"Entertainers"at the start was that it tackled some intense social issues: sexual attackfees in idoldom and the media, adoption, suicide, betrayal. Unfortunately, thosehave become more plot point than authentic explorations of such ideas. They all are at all times pertinent.

With all of that said, did I revel in this show? Yes, I did. Would I counsel it? As a one time light-hearted watch, yes. As a repeat watch its flaws would change into glaringly obvious. But give me these boys goofing off and gamblingtune any day. They are so adorable.

#drama #review #entertainers #episode #18 #final

Drama Review 'Jackpot' Episode 24 (final)

Drama Review 'Jackpot' Episode 24 (final)

And with a last episode that used to be a concoction of the complete lotyet the kitchen sink,"Jackpot"comes to and end. The display had a couple of highlights, but most commonly information technologyturned into messy. The finale emphasized the loneliness of the throne, the combat amongst politics to do what is best possible for a country at large, and a friendship between brothers of other social standing. The accumulation to the Musin riot was long and arduous, minor characters were left half-developed and our primary characters suffered personality adjustments and extraordinarypersona trajectories.

The most pretty moment of this ultimate episode, and indeed in rather a few episodes, was the ultimate scene of the brothers assembly in secret, playing one another's corporate and permitting a lonely king to have, if but for a moment, a true friend with whom he can feel a bit of less lonely. They forgetthe rustic that they worked so tough to protect. If the prove had worked backwards from that moment and built the remainder of the drama to beef up the long, laborioustrips of a king and a citizen, such so much ofglorious things could've happened. As it stands, the show attempted to do so and on several times pointing out that a king's fateis tricky indeed, but it was waylaid by way of unfocused subject matters and plot devices.

The starting of the drama taken withgood fortune and how Dae-gil was to develop intofantasticas a result of it. Gambling and luck faded as time passed, and Dae-gil have become more like In-jwa (a just about infallible being) instead ofholding his core light-heartedness that weresubtle into a capable warrior moved by the plight of his people. I ignored the goofiness of yore and his virtually perfect judgement of the folks was now not interesting. It made me pass over his flaws. The similar holds true for Yeoning/Yeongjo. His precocious youth, wit, and interest morphed very abruptly into a stiff statue of ruthlessness and loneliness that could've been more gradually introduced. Instead, the alternate was explained away by exposition. Numerous things were explained away.

Take, for example, Dam-seo's death, her loss of truthful romantic involvement, and the shortcoming of affect her existence left on Dae-gil and Yeoning. Dae-gil is slated to marry Seol-im, but we saw little in their love, or their partnership beyond operating on quashing the uprising and Yi In-jwa. Seol-im lost her appealing story. All of those items are faults of a lack of practice through. An concept is started, left, and randomly picked up. A character is partlyevolved and then left to half-function as a a phase of a plot thread.

Yi In-jwa, the major antagonist, was most sensible when he was vulnerable, but"Jackpot"didn't try thisancient figure justice. He was a cartoon of brilliance, which is rather sad. His is one of thesewealthy story. I amunhappy for what could've been.

What was excellent was the scenery, the costuming, and the environment of scenes. This excellence boasts of enjoy with sageuk drama and picture and the production team has certainlyhandledthis length of time before. It's the writing that was choppy and unfocused.

All small characters were given their small moment in the sun and had their storylines tied up. Practically all either died or ended up doing the proper thing, which is in reality quite dull for a viewer.

Jang Geun-seok,Yeo Jin-goo, and Jeong Kwang-ryeol were cast equally was lots of theleisure of the cast. One can't blame actors for the fabric given to them. It was sensibleto peer these other peopleat the screen. I am hoping next time they make a selectionlarger roles.

#drama #review #jackpot #episode #24 #final

Drama Review 'Oh Hae-Young Again' Episode 14

Drama Review 'Oh Hae-Young Again' Episode 14

Now that Hae-young and Do-kyeong are back in combination again,"Oh Hae-Young Again"moves to lovely filler material. On one finishit isgreat to get a reprieve bearing in mind how gloomy the drama has been lately. At thethe oppositehere isone of the most weaker cute subject matterwe have gotten from the drama and masses more and plenty of it by accident paints its characters in a bad light. Fascinated with how Hae-young just had a sanatorium scare, it was oncein point of factlovely insensitive not totelephone her folks and tell them she'd be late. However why did not they just attempt to call her?

It's no longer that the scenes are truly all that bad- it's just they repeatedly run into fundamental logical complications which rather undercut the emotional have an effect on of the standard warm heartfelt conversations. The flashback involving the other Hae-young is the maximum important exception to this, yet IT works in massive part because no effort is made to be cute. It be simplya chilly reminder of what we already know- that for all of the superficial benefits conferred on the other Hae-young, the major Hae-young has had the much more potentadvantage of a genuinely loving family.

Yet even that strength is undercut through the revelation of Soo-kyeong's idiotic plan to maintain her pregnancy- the complete "move overseas" clich that I truly wish Korean dramas would forestall using. Whilst in comparative terms unmarriedmoms in other countries have an more uncomplicated time than the ones in South Korea, it's no longer like a Korean girl can just pack her bags and the entiretycould be hunky-dory. Immigration is hard, and it isn't like we roll out the red carpet to domestic single mothers either.

Moreover, Soo-kyeong has continuously been portrayed as depressed, and thoseissues without delay stem from a troubled dating amongst her own mother.Imagine an individual like thattrying to elevatea kidon my own in a foreign country on the otheraspect of the arena from her make stronger network. Happily by the end of the episode adequateknowledge is in the market for other characters to optimisticallysave you Soo-kyeong from following thruin this idea.

Overall those parts are the major thing making me uncomfortable with this episode-"Oh Hae-Young Again"has at all times used a giant number of staple drama clichs but they have got been well-disguised beneath the more inventivefacets of the production. Even supposing the drop in writing quality is also a result of the 2 episode extension. The cliffhanger is simply every bitstunningand robust as usual, begging the query of what's going totake place next.

#drama #review #oh #hae #young #again #episode #14

Drama Review 'Vampire Detective' Episode 12 Final

Drama Review 'Vampire Detective' Episode 12 Final

Dawn has arrived for"Vampire Detective"and with it come emotional scenes we were no longer granted throughouta whole series. Characters without feelingswithout noticein finding them, characters with emotions overflow with them. Unfortunately, the drama's overallloss ofpersonalityconstruction makes those scenes cheesy. The display also items a twist similar to"Vampire Prosecutor"; the series these creators obviously wish they were running on and all the fandom of which needs nosotros were watching.

Goo-hyeong (Oh Jeong-se) and his kidnapping another time take the back seat to Yoo-jin's (Kim Yoon-hye) affairs. The theory of a painful existenceat midnight has dramatic doable and can have made her character interesting, had we experienced this unhappyway of lifethru our daylight-enabled lead. We did see it via Yo-na (Lee Cheong-ah), yetrarely in a sympathetic light. Yoo-jin's tale lacks impact, because neither her pain or her existence as a human are given any patternout of doors of romantic and distressed scenes.

No quantity of sad piano and violin song can alternatethe reality that Yoo-jin's and San's (Lee Joon) very few shared moments most commonly consisted of inventoryglad couple times and one sad goodbye. The use of flashbacks is supposed to make the present scenes more emotionally gripping, but most effective manages to spotlight the drama's shortcomings with its characters. This turns practically comically bad when probably the most cuts along San's vampiric birth used to remind us of his dating amongst Goo-hyeong is them having a meal.

As a long way equally other interactions go, Yo-na and Gyeo-wool (Lee Se-yeong) have some great chemistry in theirs, but their reports are wrapped up badly. Yo-na is suddenly given a heart, because no one reminded her that humans have enjoyed ones during most of these decades, apparently. She would werean enchanting villain in more capable hands. Gyeo-wool's much teased key is nowhere to be discovered and It's now not that i amcertain whether the creators forgot about it or think audience have.

The climax brings us without equal fist-fight over a woman, because who cares about vampires and crime? Even the lady herself is so bored with this newly offered and by some meansgrew to become central conflict, that she chooses to forestall information technologyviafinishing her existence. If any ethical exists here, it's miles that trust in the imaginary friendzone and being an obsessive man-boy with an inferiority complex are almost definitely not the manner to a healthy romantic life.

The drama closes by having San disappear, only to be found a year later. Why, you ask? I don't have any idea, but it added about five mins into the series. The helper list is now with "Bad Blood", who is the maximum important villain of this universe, as observed in"Vampire Prosecutor 2". Will"Vampire Detective"have a 2d season? Perhaps, but for now I could bein a position to celebrate making it throughout the first one.

"Vampire Detective"is directed byKim Ga-ramandLee Seung-hoon-IV, written byYoo Youngseonand featuresLee Joon,Oh Jeong-se,Lee Se-yeongandLee Cheong-ah.

#drama #review #vampire #detective #episode #12 #final