The opening scene of "The Villainess" has the deeply unsettling look of a video game. Specifically, first-person shooters, which require the perfect mix of head shots and anticipation of predictable AI behavior necessary to get through the few dozen mooks that stand between you and the next level. The sense of discomfort is further heightened by how obviously human all the various stuntpeople in this movie are. So for this, and all subsequent action scenes, horrified as I was by the unbroken chain of grotesque violence, my eyes were glued wide open in sheer overwhelming shock.
Hancinemas Film Review The Villainess176 Articles
Oh Hee Jung is a soloist that got her start in 2013 after a series of independent releases. Her latest effort, this year's 'Short Film' EP, comes on the heels of 2016's Bandcamp-released 'Freckles.Oh Hee Jung is often the sole creative force behind her work, with the production, recording, artwork, mastering, mixing and design all being credited to her for this album. Using a combination of great ideas and total creative control, Oh Hee Jung creates a magical mix with each release that's sure to leave fans with a new daily soundtrack.
Jang Beom-june was the leading singer/songwriter for Busker Busker, an independent rock band from Cheonan. Today he...still writes and performs music, just as a solo artist. Jang Beom-june owes his presence in South Korean musical culture largely to one song- "Cherry Blossom Ending" which appears every spring in the South Korean music charts. But aside from that, Jang Beom-june also writes and performs other songs. Sometimes he even does covers.
And that's pretty much it. "Cherry Blossoms, Again" was financed in part by MBC, so this is a documentary in the television mold, where the focus is on being purely informational rather than making any kind of grander artistic or philosophical point. Jang Beom-june lives a normal life. Apparently he's even married with a daughter. The wife we never get to see, even if Jang Beom-june begs her to come home early at one point.
While cartooning is generally thought of as a medium for children, as long as there have been cartoons, there have been crude distorted versions. The twenty-first century has been very kind to crude cartoons, as technology advances have made it easy for anyone to make static, repetitive animations which shock via overt graphic violence and explicit sexual titillation. Gag Powerful Man" is a traditionally Korean themed version of such a cartoon, in feature length form.
One aspect of such cartoons is that they are almost always extremely short- there's only so many times blood can spurt from the ruptured appendage of a loud, obnoxious man with a hideous facial expression before the novelty wears off. So it took me a moment to realize that "Gag Powerful Man" was in fact a feature length film rather than a collection of shorts- the characters are such thin shallow caricatures it's hard to visualize them engaging in the same plot for more than ten minutes at a time.
In the opening scene of "House of the Disappeared", Mi-hee (played by Kim Yoon-jin) comes upon horror. Her husband has been stabbed, and her son is only briefly visible before unseen forces drag him off into the unknown. The authorities conclude that, somehow, Mi-hee was responsible for these crimes, and she comes out of prison twenty five years later an old woman, still muttering about the monstrous forces at work in her house. Father Choi (played by Taecyeon), an old family friend, hears Mi-hee out as she delves into her own memories, trying to find an answer.