Why Do SongDisplaysLive to inform the taleRegardless of Low Ratings?crystalcove Might 24, 2016 0 Weekly music shows slightlysign up in Television viewership ratings those days. Recently, SBSs Inkigayo recorded 1.7 percent, MBCs Music Core recorded 1.8 percent, and KBS2s Music Bank recorded 1.3 percent. If they were any other kind show, they would have already been canceled. Yet, these weekly music shows, expensive and laborious to either the production and the artists who seem on them, continue to exist and their impression in the K-pop industry remains despite the proliferation of different media and venues for fanatics to pay attention and watch their favourite artists. Why?
Local news source Ilgan paints an image of a systematic abuse of power. Music shows are headed via a PD (producer), who is controlled by a CP (chief producer), and a CP is accountable for3 to 4 programs. To look on a music show, you will have to negotiate moderately with these two. For example, an firm has a collection that just debuted and that agency wishesto positionthe crowdat the show; despite the proliferation of other media and venues, music shows still remain the maximum productive way for artists to get their names out there. The network plays this to its advantage – the CP will call for that a top-level famous person from the agency appear on one of his/her other methodsin order that the rookie team give notice look on the music show. Thats whilst you see a top-level star randomly appear on a wide rangedisplay like Radio Star or Law of the Jungle.
Tuesdays are the day a PD and the agency have some face time. Seventy to one hundred managers could put their call down on an inventory and wait an hour or more to fulfill the PD. Its generally up to the chief to get their artists on a music show. If they leave out one prove one week, fans will criticize the agency, saying, You guys are so incompetent; you cant even get our artist on a music show.
Although the low ratings of music shows have diminished their energy slightly, a network can still say to an agency that comes to a decisionnow not to appear on music shows at all that nobody from that agency can appear on any display on that network. If the agency needs their artists to get on shows that in truth takeupper ratings and more content force like King of Mask Singer and Running Man, the artists need to appear on music shows. Its a vicious cycle.
Music shows are costly. For idols, it willpayment them 3-5 million won (approximately $,2500-$4,200) for outfits only for one show. Adding the prices of hair, makeup, dancers, choreography, and meals, it wouldcharge 100 million won (approximately $83,900) for four weeks of promotions.
In contrast, for masses of years now, teamshandiest go 300,000 won (approximately $250) per appearance. Music shows cant pay more since their low ratings mean they aren't getting any income from ads. When a music show puts in combinationa gigantictournament once in a while, it's farmost probably that it wasnt funded by the network, and a few networks even ask the agencies to pay for the production of a degree set.
One agency CEO commented, The courting between a network and a agency is that of a topdog and an underdog. Inside that roughly relationship, there are rather a lot of unreasonable situations. Yetthe simplest way for a network to keep watch over a music agency is thru music shows, so there is close to0%likelihood of them disappearing. Unless ratings really hit zero percent.
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