Uncontrollably Fond, Ep. 1-2: Fact vs. FictionWritten by skill of Sydney On July 13, 2016The hype surrounding the recent drama Uncontrollably Fond used to be unsurprisingly large. After all, the leads are Miss As Suzy, the International locations First Love, and popular actor Kim Woo-bin. The basis of the drama comes tothe 2 in a love tale that transcends time. The two were fanatics in the past, yet split, and meet years later as totallyotherother people when Suzys persona tries to make sure the cooperation of Kim Woo-bins in filming his documentary.
As is conventional of dramas with numerous hype, audiencegenerally tend to veer at theserious side. We wantcastevidence that this drama will in truth pull us in. Taking into accountthe primary two episodes of Uncontrollably Fond, Identification say that the 1st episode did a excellenttask of enticing the audience, but the 2d one episode hit some rough waters as the choice of clichés began to grow without abandon.
As always, there are spoilers ahead!
The drama starts alongside a dramatic scene: a man, played by Kim Woo-bin, has stolen a gangster bosss lady and is attempting to marry her. This doesn'tpaintings out, and they're attacked by the gangster bosss lackeys. Soon, the guy takes a shot throughout the heart. Even so, the guy refuses to die and we later noticeall of the scene becamefaux — it was the finishing scene to a drama, and Kim Woo-bins character is an actor named Shin Joon-young.
Right from the get-go, the drama provides United States of Americaa pleasing twist. Its refusal to be over-dramatic suggests that it is going tonow not play into cliché, irrational drama plots, and should branda laugh of them instead. The first scene supplies a great sampling to the tone of the remainder of the episode, where we are thrown into stereotypical drama plots, most effective to have the scenarios defy our expectancies and reassess them thru more realistic lenses.
The drama first does this by presenting a parallel between Shin Joon-youngs genuineexistence and his dramas finale. In real life, hes a notedsuperstar who is terminally sickand entirely unwilling to die. In the drama, he in a an identical fashion lacks the facility to get away death.
Joon-young later has the similar opinion to die just this once in the drama as asked of him as an actor, but the irony is that the death scene in the drama hits a little too with reference to home. Regardless that Joon-young is reassured that he may not be required to die in future dramas that he selections up, he'sthe whole more struck with the realitythat during dramas he can die again and again again, but in life he only has one chance. And if he dies, thats it. Via this, viewers could reconsider the occasions in a drama and contextualize them into their own lives. In dramas and other works of fiction, heroes and heroines are at all times and thendesperate to sacrifice their lives for what they consider in, but its never as simple or as commonplace equally dramas make it out to be.
Similarly, Joon-young is not able to come to terms with his diagnosis, and waits for a drama-like miracle to happenthat maybe sure him of a longer lifespan. He steadily reconfirms with his physician that the diagnosis isn't a mistake, and this gives the drama a more realistic twist. In real life, we commonlydon't get misdiagnosed, and neither are we ready to escape the clutches of death. Im in particularinterested by seeing how this terminal sickness volition play out, and whether the drama will give us anything contrived or something honest.
The feminine lead No-eul (Suzy) could also be a character with a twist. We are first offered to her as a PD (Production Director) that motion picturesunlawful activity to divulge corporate corruption; who literally braves storms in the call of justice. Soon, we find that she shamelessly takes bribes. Although she only takes the bribes to pay off a wide debt left to her by her father and to toughen her more youthful brother, she turns outsomewhatvarious from the average female lead in that shes not set on being anyone morally upstanding. Rather than her brothers well-being, she doesn't care about much else. It form of feels that this character is in realityneatlyidea out because you'll be able toright away say there is more to her than meets the eye. She will have to takelong gone through so much for her to have develop into this way.
When the two primary characters meet, there is a fascinating tension between in need of to come close, but not looking to at an analogous time. Though No-eul obviouslywishes Joon-youngs help, she does not recognize the existence of a shared past. Joon-young does the same. He treats her rudely and tries to be rid of her, but he continuouslyunearths himself looking tomake positive that she is doing well.
While the first episode does give an evenquantity of clichés, it manages to stay your passion as you wonder how things will play out. You wonder what the dating is between the two leads and how things got here to be. This relationship is explored through a longer flashback in the moment episode, and whats disappointing about the second episode is that the characters beyondin combination plays out adore it would in an ordinary drama.
The youngedition of No-eul items her as the noble fool that tries to assist everyone, while Joon-young is a deficient boy whose mom left his dad during pregnancy because she felt as though she was not good adequate for him. Of course, the two characters clash and sparks fly. Its also stereotypical that she consistently had a weigh down on him but pretends to hate him, and that he gains interest in her because shes not attracted to him and is in fantastic debt. Necessarily shes the damsel in misery and he feels the want to exist her knight in shining armor — which is nerve-racking and not atypical.
Though not quite satisfying at the moment, this backstory does layer the provide because now we know more about our leads and willshape speculations. In the past, either No-eul and Joon-young are positive and idealistic. No-eul is helpingall and sundry in need at the price of her familys well-being, and Joon-young thinks that if he storiesdifficult enough, he'll build his mother proud and make his biological father wish to acknowledge the family. By way ofthe existing day, No-eul cares little for justice. She was possibly hit with the truth that status for justice and selflessness ended in her familys ruin. Though Joon-youngs eventual story is not as clearly alluded to, a transparentexchange in his currentscenario is that he is now faced with the actuality of certain and looming death. Its pleasant that there is still a curious and unexplored void between their past and show that motivates us to continue observing the show.
Something I liked about the finish of the second episode is that it brings us back to the current and also brings the clichés into the area of reality. I guess this dynamic echoes real life in some ways. In our youths, many folksreside in a secureglobal where we dont have to fret about many such things as making money or facingstraight away life-changing consequences. On the opposite hand, we all must come to the real, running world some day and learn to fend for ourselves in a globalthis is not always on our side. This drama appears to allude to this issue, and it appearswe may be able tosit up for an insightful adventure as we grow with the characters.
The drama seems to have promise, but only time will tell whetherthe adventure is worthwhile.
What did you call to mind the first two episodes? Will you be tuning in to the rest?